Easel-ly Hilarious: Painting Self-Portraits

2/29/24
Botch Job Society
Episode 1 - Easel-ly Hilarious: Painting Self-Portraits
 
Have you ever wondered about the beauty hidden within life's missteps, or how a brushstroke of failure could lead to a masterpiece of experience? That's where we take you in our latest adventure. As we rekindle our connection after three years apart, we're not holding back any details. Our new narrative is a celebration of the flops and fumbles that shape us, whether it’s in the realm of personal endeavors or the world’s most infamous botched inventions and entertainment fiascos.

Then, join us as we attempt to capture each other's essence in portrait form, laughing at our own expense. No teleprompters, no scripts, just raw, candid creation. We're rolling out the palette for episodes splashed with color and character, and we want you to be a part of the painting. So, grab your easel, or just a cozy spot, and tune in for a symphony of stories where every misstep is a note in our collective song.

Bullet points of key topics + chapter markers
[0:00]  Intro
[13:54]  Painting Self-Portraits
[26:14] Reveal and Outro

Chapters

• 0:01 Intro
• 13:54 Painting Self-Portraits
• 26:14 Reveal and Outro

Transcript

Chris: 0:01

Botch Job Society is produced by Rock Opera Studios. Oh crap, sorry you alright over there?

Ramero: 0:10

No, oh gosh, okay, that's fine, did you mess up big?

Chris: 0:15

time it was just a big wad of paint that I was not expecting to be there. Just do a dollop this one here. Let me tell you like he's a failure. Can you see how maybe it would have been a failure? I never know how to start these things.

Ramero: 1:00

Yeah, you just kind of got to.

Chris: 1:01

Yeah.

Ramero: 1:02

I think you should just fade out of black, and we're just already talking.

Chris: 1:07

In mid-sentence. In mid-sentence they just come in and they're like oh hey, there they are. Oh, didn't see you there Like you just walked into the room.

Ramero: 1:14

You know we were already talking and they just walked in.

Chris: 1:17

I mean that's a perfect place to start. So, hi, how's it going? It's been too long.

Ramero: 1:23

It has been very long, it's been almost three years. Yeah, wow, welcome back.

Chris: 1:30

Yeah, welcome back to Useable.

Ramero: 1:32

It's good to be back, yeah.

Chris: 1:34

It's going to take a bit to get back into the Swing of things. Yeah, the rhythm we're fairly good at, sort of you know we could go.

Ramero: 1:44

It's like riding a bike.

Chris: 1:45

Yeah, we could go months without seeing each other and then, once we're together, then it's like, exactly, the magic is back. So what have you been up to these last couple of years? Suffering.

Ramero: 1:56

Sorry, working, really Just working, and loving life, or trying to at least. Yeah. Yeah, it's nothing really major over here. What about you?

Chris: 2:07

It's been a lot going on, been traveling, a bunch and new job and I mean that's, I think, the biggest thing that changed since last time because, when we left off for non-experts. I graduated, and that was the big reason why we kind of stopped was lack of Grad school.

Ramero: 2:27

It's real busy yeah.

Chris: 2:30

Well, it's lack of equipment now, because now I don't have the school to provide me Right, just do everything for us Right. So yeah, but then also the previous job I had was not very good and so I got a new one and yeah, just kind of improving my life in small ways.

Ramero: 2:46

There you go, there you go. Yeah, I mean that's the only big change. I got a new job like the end of 2021. Been there ever since. Yeah, yeah, so that's good, it's about it.

Chris: 2:58

It's sort of Cut my hair. Oh yeah, it looks nice though I'm gonna get off.

Ramero: 3:03

grew it back, cut it down again a little bit.

Chris: 3:06

Yeah.

Ramero: 3:07

Small changes.

Chris: 3:07

Yeah, I think that's a terrible. We're not very good examples for this show because we're excelling way too much. We need to Pump the brakes a little bit. Can you get in a car crash on the way home?

Ramero: 3:24

I did that actually last year. Yeah, somebody hit me a year ago, like last summer. Yeah, I've had four cars maybe in four years because of different activities.

Chris: 3:36

So I think I'm on pace, I think I'm doing okay.

Ramero: 3:40

No more car crashes Right Please.

Chris: 3:44

Well, real quick, why don't we just sort of talk about what this show is gonna be? Yeah, because we've decided it's sort of a it's within the non-expert cinematic universe.

Ramero: 3:55

Yeah, exactly we're gonna branch out. Yeah, it's gonna be huge.

Chris: 3:59

It's under that sort of branding, but different from what we did before. Right, we're not talking about pop culture, we're not talking about news. Yeah, we're written, it Wouldn't that be ironic where the first couple episodes is something completely different, and then we're just like Slow the transition back into the same old thing.

Ramero: 4:16

Why don't we just go back to what we were doing? Maybe we'll do both yeah we could.

Chris: 4:21

I mean, there are a lot of failures in the media right now. Is this true? Fingers crossed, yeah, but no, this show is a bit more hands-on, a bit more doing stuff, which I think will be way more fun for us at least. I don't know about people watching if they really care All 12 of our viewers will thoroughly enjoy what we're doing, I'm sure of it.

Chris: 4:47

But yeah, on this new show, this spin-off, we are Exploring the idea of failure, what it means to fail in various ways, not only showcasing our own failures in the things that we do, but talking about other failures, you know, kind of famous ones like products or inventions that didn't really take off, movies that have failed. So lots of room to explore Jinx you owe me a soda. Yeah, there's a lot of things out there that we can talk about. Go get that. Go make that happen.

Ramero: 5:27

Yeah, so we'll have some interesting stuff for sure to cover and do our own takes on them occasionally.

Chris: 5:34

So, as we are going into this new show, that means new socials and new website. The nice thing about this go around is that all of our socials are the exact same thing, so there's no. What was the Twitter one again? The same exact thing across all platforms At BotchJob Society across everything. So just search for that and you'll be able to find us. We'll be posting on, we'll be doing Instagram, we'll be doing Facebook, we'll be doing X or Twitter.

Ramero: 6:08

We'll never call it X.

Chris: 6:10

Never, never use.

Ramero: 6:13

Not my Twitter, yeah, exactly.

Chris: 6:16

Threads which. I'm still trying to figure out I'm not sure what the platform is.

Ramero: 6:23

It's just something else that Mark wanted to be able to say he did Because you scroll Instagram.

Chris: 6:27

Look guys, look. Yeah, it's okay.

Ramero: 6:30

I made Twitter 2.0 and every time you scroll Facebook or Instagram, I'm going to keep linking.

Chris: 6:35

what's it called?

Ramero: 6:37

Threads I don't care, mark. I'm here for Instagram. Leave me alone.

Chris: 6:41

So threads, TikTok and obviously YouTube so yes we're everywhere, like before. We're everywhere, but people seem to be confused as to where they can find us.

Ramero: 6:54

They won't have that confusion anymore, because it's all the same name.

Chris: 6:57

All the same, I got in there early. You're going to find everything. I got in there early to make sure that it wasn't taken.

Ramero: 7:04

It's rough. You've got to keep changing like pod podcast I know, Like small things I purposefully left off podcast because I feel like that is always the problem.

Chris: 7:14

But, also I wanted to make sure that it was a name that was unique but also was not already taken, so that was the trouble with that, Anyway. So yeah, we are everywhere. Check us out on all those socials and you can go to our website, which is botshopsocietycom Pretty much one stop shop for everything.

Ramero: 7:35

Yeah, everything's there.

Chris: 7:37

All the episodes will show up there and read more about us. Yeah, background info. We'll have merch on there as well. So if you want to wear a shirt and maybe one person stop you and say what are?

Ramero: 7:49

you wearing. What's that?

Chris: 7:51

Oh, this old thing, it's the botshop society, and then there's your window to explain. So yeah, so check those out. For anybody who hasn't watched us before, just give a quick sort of bio of you.

Ramero: 8:10

Yeah, you go first. Okay, Thanks, I'm more of a closer.

Chris: 8:14

You know I'm the opener of, you're the closer, gotcha Well it's hard to talk about myself without sort of explaining why we are a thing, let's start from the top. Went to college together and we're doing radio and TV a lot and sort of naturally had this rapport and this friendship and we wanted to immortalize it in audio format.

Ramero: 8:46

Yeah, which is what I think our senior year we had like three or four classes together on top of working together.

Chris: 8:52

Yeah, yeah, yeah, it was like we were seeing each other too much.

Ramero: 8:54

Yeah, at this point, you might as well channel it somewhere.

Chris: 8:57

We would record the podcast. We have nothing to talk about. We've seen each other a week.

Ramero: 9:01

How are you? Well, you saw me today, right Yesterday, you know exactly.

Chris: 9:07

But you had just background in radio and TV and so this sort of naturally felt like something that we would excel in and I would say we're pretty successful. I think we need to market ourselves a little bit better, yeah.

Ramero: 9:23

It's hard getting off the ground.

Chris: 9:26

Yeah.

Ramero: 9:27

You can get your friends to buy in, but growing.

Chris: 9:30

Right, it can be a bluff. It's when that one stranger that listens and you're like you know we, finally I got one.

Ramero: 9:37

Yeah, that's how we felt when we had like random viewers in.

Chris: 9:40

Yeah, like Germany. Yeah Like how did you find us?

Ramero: 9:44

I'm glad you enjoy it. But Right, who are?

Chris: 9:47

you. So, yeah, that's I mean, my background is just mostly film and editing and that's, you know, that's what I do. So Thank you for all your hard work, you're welcome.

Ramero: 9:59

Yeah, I mean, like you said, we just kind of overlapped a lot. You were more into the film side of things. I was super radio TV, but obviously in the TV studio you're going to be around people. We worked in the TV studio together at school and shared all the same classes. If it wasn't at the same time, it was somewhat overlapping, you know.

Chris: 10:21

So so that was our short bio, yeah, discussing who we are and why we are not qualified to be doing this. So for this episode I don't know if I, I guess I'll explain. So for this, for this whole podcast, my idea was that we would have sort of three categories of episodes to give it a bit of variety. We would have hands-on ones where we attempt to do things and obviously the expectation that we will fail. Yeah, the other is more of a talking one, where we talk about, like I said, failed products or just things in general in history that have are famous for, you know, being blunders.

Ramero: 11:08

Being bad, yeah, and then you see, Madam Whip. Anyway, carry on Funny. You should bring that up.

Chris: 11:14

The next category would be like bad movies. Yeah, and I think the idea behind that would be we would actually sit down and watch the whole movie and react to it in real time. Some real tooth pullers out there. Yeah, I know, that's what I'm. I have a list of ones that I'm like. I haven't seen it, but I've heard that's bad. Yeah, I cannot wait to see how bad it is. Yeah.

Ramero: 11:34

Yeah.

Chris: 11:34

So for this episode it's going to be more hands-on, because I thought that would make sense as our, as our debut. We do something a bit more interesting, Of course. So we sort of had he's getting ready.

Ramero: 11:46

He's thinking about it, he's getting ready.

Chris: 11:49

So for this one, we had the idea of trying to do some self-portraits of each other painting self-portraits. I feel like I have a harder challenge than you do because of your skin tone. I feel like anything that I produce will just come off as a racist caricature.

Ramero: 12:09

He's drawing me in blackface, just so we're clear. It's going to look like a blackface portrait during the month of February.

Chris: 12:15

I know Exactly, yeah, so Lightly, I will get you canceled.

Ramero: 12:21

Yeah.

Chris: 12:21

I'm totally expecting it.

Ramero: 12:22

I won't be here next week. It'll be so many else.

Chris: 12:27

So yeah, we're going to try to do some self-portraits. So real quick do you have any experience with painting before.

Ramero: 12:36

I'm not an expert at it. I'm okay, I'm an okay painter on occasion, but I don't know Right. As far as the portrait goes, I'm not sure.

Chris: 12:47

Well, not to make you feel bad, but I do have an example of my work, so I think you might be up for it. Although do you notice one thing about this that will be a particular challenge for me today.

Ramero: 13:02

Is the fact that you didn't have to do any real details. To a face you just yeah. There's no real face.

Chris: 13:09

You're gonna paint the canvas brown and just give me eyes and some lips and be like alright, we're good, it's, it's you from really close up. If you were to just get really close to you, this is totally you.

Ramero: 13:20

I started to bring a painting of my own that I did recently.

Chris: 13:22

Oh yeah, you should have, you should. I'm glad I didn't know, okay it was nice, but you know well again. This may be just a one-off where I'm like I'm so good and then today it's like terrible. So we'll see, yeah, we'll lock in it's on.

Ramero: 13:37

You got a deal. Paint you so good. I Don't know, we'll see. I'm interested to see how it turns out. It's gonna be funny regardless, though. Yeah Right, all right, are you ready?

Chris: 14:00

No, I'm already feeling. This is why your failure yeah.

Ramero: 14:05

Okay, guys. So to walk you through this a little bit, we're staring intimately to each other's eyes as we get a rough outline of what it is we're gonna paint, right now, this is really hard because I don't want to be like insensitive, yeah, but I also want to be accurate.

Chris: 14:21

You're gonna make my head really big.

Ramero: 14:24

It's accurate, it's fine, okay, no it's, it's fine, the head's gonna be big. Okay, I respect it and expect it.

Chris: 14:33

So do you remember? Do you have any like memories of Painting in school?

Ramero: 14:38

Yeah, our class was my favorite class growing up.

Chris: 14:41

Okay, did your school have the like that weird art teacher that Was super like eccentric, yes, and sort of not like a witchy? Yeah, you know what I mean. Like into dragons and stuff. Sure, like a beach, more like, yeah, no, I actually I still remember my art teacher.

Ramero: 14:59

Her name was miss McNeil. Miss McNeil was really sweet and a Very good teacher and she actually ended up getting into politics later in life. Oh. So around the time we were in high school I started seeing a Like Signs with her name on it. Like vote her for XYZ. I'm like weird. Oh my, that's miss McNeil.

Ramero: 15:21

And I bumped into her, you know, years later. Yeah, thankfully, most of my teachers remember me when I see them again and and at least a good way, yeah, and not in a like, oh god, here he comes away. Very thankful for that. But yeah, I had a great art teacher and At one point in life I did want to do like art stuff, mm-hmm. But in my mind I'm like I don't know if there's really an avenue to make a living for that. Yeah, so maybe I shouldn't Be too invested in pursuing it, you know.

Chris: 15:54

What about you? I knew I wasn't really good at drawing. Yeah, I Tried, but I feel like what I saw in my head was never translated to the canvas, well, ever and that's, I think, was one of the things. I'm making your smile like the Joker. Oh, one of the things going into film was I knew that I did not want to do cinematography because I knew that I was not good.

Ramero: 16:24

Like translating yeah.

Chris: 16:32

Hey, mine's not gonna be any better.

Ramero: 16:33

Yeah, this is gonna be really funny actually.

Chris: 16:36

I'm trying to do like your series, you know, like the your serious face, that you do. Now See if I can, if I can actually do it, I Think that would be better than a smile, because the smiles just gonna look yeah. Yeah, I'm also trying not to like make your lips like caricature, like huge it's hard to draw like facial features.

Ramero: 16:59

Oh my gosh. Yeah, it's like either noses and lips look really tiny or they look cartoonishly big. Yeah, and I don't want to make it seem like you're six flags and you just paid me to make this like crazy middle of them all. Yeah, it's like I also don't want your lips to look like Real tiny didn't wipe you the lip. No, this is a. This is this is gonna be an interesting, you're done.

Chris: 17:25

I'm done sketching. You're so good. It's a rough sketch, it's not. It's it's not very good.

Ramero: 17:30

What would you say? I think they artistically since I wasn't necessarily one of your strong suits. You remember any like projects that you were really proud of how they came out.

Chris: 17:41

Whether in school or outside school, one that I definitely remember, that I actually enjoy. I had a good time with this one. We did Sounds make sense like knowing me, but it was like weaving Okay we would have to do like yarn weaving.

Chris: 17:58

Okay, I was really good at it because I could make like little designs in the in the weaving and that was like really the only good thing that I was able to do. Everything else was kind of terrible. I just I was not again, could not translate what was in my head onto yeah canvas or whatever.

Ramero: 18:17

Yeah, yeah, I think that sometimes one of the hardest things and that's part of the reason why, for a long time, I kind of stopped doing artsy stuff is because I just felt like I would sometimes struggle with the same thing. Yeah, like I see it, and it makes sense here, but once I try to get it out, it's like what the hell is this? I Think I had ceramics in high school, okay, and my was fun final project I Made a toilet bowl monster.

Ramero: 18:50

I'll have to show you a picture of it at some point. Maybe we can post it on the socials. But yeah it. It originally was gonna be like one of those you don't remember when we were in high school we had those like stupid, the original memes, like the why you so means that I like the dumb ones. So it was gonna be like one of those like a bus of it, like the neck and then the head.

Ramero: 19:09

Okay, and then halfway up through the head process, when I had like the dome, like bottom half of the face, I was like you know what, I'm just gonna make a slab and cut it like odd long. I just turn this into a toilet. So there's a the lid and there's teeth coming down from the lid and two little eyes up top and then the flush handle at the back. That's funny toilet monster, very, very stupid. But I was proud of that project. I was like you know what you did good kid. Yeah, it did good. I Made your face incredibly slender.

Chris: 19:42

Yeah, I'm also realizing. I don't know how quickly acrylic paint dries, yeah, but I don't know if I'm gonna be able to paint on top of the other parts.

Ramero: 19:51

Yeah.

Chris: 19:52

I guess we'll see. I still have to figure out how to.

Ramero: 19:54

even For those of you out there if you paint or haven't painted, consider how do you paint a white person Respectfully, like you only get white in the paint packet and then you have to try to mix some other undertones to make an actual skin adjacent tone color.

Chris: 20:18

This is way harder. Not that I thought it was going to be easy, no, but it's way harder than I thought yeah.

Ramero: 20:25

I'm trying to.

Chris: 20:28

I almost don't even want to show you this, because I think you're going to hate me.

Ramero: 20:33

I'm, I could never hate you. Oh well, maybe no promises, it's a new day for everything.

Chris: 20:44

Yeah, guys, this will be the first and last episode.

Ramero: 20:46

Thank you for coming.

Chris: 20:47

Really appreciate your support. So what happened to your friendship?

Ramero: 20:51

I made him look like Milk-Dud with eyes and he decided he didn't want to speak to me anymore, and that was the last time I saw him.

Chris: 21:01

Oh my gosh.

Ramero: 21:05

Okay, here's the thing. I don't know if there's enough white in the world that can overcome how much like other colors impact it. You know what I mean. Like I can't get away from pink. Yeah, you might be a pink man today, that's. You know what? That's fine, let me see how can we fix this. Okay, well, at this point, yeah, I would just embrace it.

Chris: 21:30

You're pink, yeah, oh my gosh. Okay, now it's turning into a, a character.

Ramero: 21:38

Essentially, chris is painting Martin Luther King over there. Any black man with lower hair and any type of facial hair, you're going to come out looking like Martin Luther King. Yeah, just be glad we're doing this in 2024 and not 1964. Oh gosh, yeah, I would have been pitch black. With red lips, stupid eyes. I would have looked terrible.

Chris: 22:07

How am I going to get your facial hair? That's going to be difficult.

Ramero: 22:11

Get the skinniest brush you have. Dip it in black, yeah.

Ramero: 22:15

And just give me some little slight facial. Oh, that was going to come out really bad, just never mind, I'm done talking about it. Guys, update over here I don't know if Chris can see it from his side. I finally perfected white skin, at least as close as it'll get. He's got some peach undertones. If any of you listening or watching are art savvy folks, please feel free to give us some pointers on how you would have not made this bad. You can roast us. Yeah, you can talk about how terrible is. It's fine, I won't cry. Yeah, I'm no stranger to internet criticism, if you know.

Chris: 23:03

You know, should we do like a we should make up an apology video so we can be like all the other YouTubers. Yeah, but like some for something stupid, right? That doesn't make sense.

Ramero: 23:15

What would our apology video be? Apologize for pretending that I know what I'm doing.

Chris: 23:24

And then fake cry. But there's no tears.

Ramero: 23:27

Yeah, the thumbnail has to make it look like we're crying. Oh god, you're actually really like peach. It's fine, it's gonna be fine. It's fine, all right, we're gonna make it work. See, chris took the approach of painting around where eyes would be, which was probably smarter. You know, I like to live on the edge. We're just gonna figure something out.

Chris: 24:02

I think eyes are probably the most difficult thing to do. Very much, very much so Because to get them like, I feel like I even need to like steady my hand to get the shape, because it's so difficult to do eyes.

Ramero: 24:18

I concur, I concur.

Chris: 24:22

You need to leave.

Ramero: 24:26

You need to leave. Also, if you don't already know us or haven't watched us before, a lot of our conversations end up degrading into random meme references. Well, that's fine.

Chris: 24:40

This is part of the process. Also, if you're listening just listening you can watch this show. You can see exactly what we're doing. You can see how these portraits turn out. You go to youtubecom slash botch job sys. I almost said non-experts.

Ramero: 25:00

We could link the two though. Yeah, I think I will. I think I will you find the one and end up getting to the other. I also was nobody gonna tell me when my hand was blue. How did it get blue, I don't know really, did it get on your clothes? And I'd for sure put my hand in my pocket. Oh boy. Yeah, we're gonna start a patreon, if you want to buy me some new sweatpants, I would greatly appreciate it.

Chris: 25:25

We actually do have a patreon, oh yes. Lots of this is a perfect segue, lots of good extra content. If you want to monetarily support us Of course not a requirement, but it is a Indication of how much you love me. It is an appreciated gesture to support us with your money. Lots of different tier levels, so you don't have to contribute a lot. But if you also only want to commit just a little bit or a one time, oh crap, sorry you. Alright, no, oh gosh, okay, that's fine, did you mess up big?

Chris: 26:06

time. It was just a big wad of paint that I was not expecting to be there. Let's do a dollop, a little dollop. If you only want to support us, like as a one-off, that's totally fine. If you go to our website and go to the support tab, there will be options there for you. We'll take your money.

Ramero: 26:27

That's never been a question. I'll always do that.

Chris: 26:30

But no for sure. Definitely check out the patreon and see if there's a tier that you would like to support and if the perks are worth it to you. We will have lots of interesting things. No matter what tier you go with, you will get your name on screen at the end of each episode, so everybody will know exactly who you are and that you support your two favorite people. I'm doing your eyes, and I realize that people's eyes are not. Yeah.

Ramero: 26:59

People's eyes. You know the newscaster on Family Guy and Ollie. With the weather, it's raining. Thanks, ollie, is that how I?

Chris: 27:08

look over there, big eyes Kind of. Yeah, you look like me when I was on news.

Ramero: 27:13

Oh yeah those were good times, mm-hmm, were they this afternoon?

Chris: 27:17

We did. It was a robbery down in here.

Ramero: 27:23

Oh God, Fun times in the city.

Chris: 27:27

fun times Well, I think, I don't know we are better on camera when we're not being scripted.

Ramero: 27:34

Yeah, I mean, you know, like when I would be doing anything for some of the other programs on TV, I'd never used teleprompter, right, I was always an off the top of the head guy. Yeah, didn't write down questions, didn't do. I might do intro and outro.

Chris: 27:50

Yeah.

Ramero: 27:51

Other than that, I'm just talking.

Chris: 27:52

Yeah, well, it feels more natural too.

Ramero: 27:54

Yeah, that way. I don't like having to like gaze into the camera when I'm really reading and then it gets really awkward if you're watching me, because why is he staring so deeply into my soul? I like to just kind of do my thing, yeah, and hopefully the shots that are thrown in while you're hearing me talk make you see that I'm just so good at painting.

Chris: 28:16

Wonder if it would have been smarter to do a time limit.

Ramero: 28:20

Maybe, but we can always do a time skip, yeah, yeah, like well, montage style, like put this in 1.5 time and just let it go.

Chris: 28:32

Wait, let's pretend like we're doing. Let's pretend.

Ramero: 28:36

Let's pretend, let's pretend, let's pretend 90 day wait, love journey and just keep moving.

Chris: 28:39

Yeah.

Ramero: 28:44

Lili, lili, lili, lili, yeah, oh, my goodness, let's see here.

Chris: 28:49

All right, I think I have completed your portrait, sayonara.

Ramero: 28:58

It's over, I'm done, that's it, we're good.

Chris: 29:04

Well, I don't know if I'm more excited or anxious to share them. Shall we go? Okay, so we finished our portraits.

Ramero: 29:15

Yes To, I wouldn't say, satisfactory level but given the time that we had, I think you know it was very quick. It was like a 10, 15 minute paint sesh.

Chris: 29:26

But I think that the works. Yeah, it's like we could have spent all day, oh yeah, and we had a couple of times you gave me another 30 minutes. Shhh, smell it.

Ramero: 29:36

Remember that You'd be shocked. No, okay For the time we had, I think it's good. Okay, and now it's time for the grand reveal.

Chris: 29:42

All right, and on the count of three One, two three. Oh, that's not bad. I really like that. Oh my gosh, I actually really like yours. I really like yours.

Ramero: 29:56

I like your stern demeanor. Yeah, yeah, yeah, and your quick neck and t-shirt job, because I was like, oh wait, it's a floating head.

Chris: 30:05

I like well, the eyes are a little spooky, but I actually really like that. I'm gonna hang that up, thank you. Thank you, I'm gonna hang it up.

Ramero: 30:13

I see what you meant now about the tired look.

Chris: 30:16

You also kind of don't have a nose.

Ramero: 30:19

Yeah, I see where it was and then I see how the color issue came into play.

Chris: 30:23

And it drowned out the nose, not my best word, I like it.

Ramero: 30:27

I like it. I thought let's come together here.

Chris: 30:31

We put it in front of her real face.

Ramero: 30:32

Yeah, these are great, Don't you think this looks like me, Like you know, minus, you know if I got some sleep.

Chris: 30:40

Oh hi, romero, Nothing changed, surprise. When the eyes look as if it's so like.

Ramero: 30:47

I'm just gonna just.

Chris: 30:53

Stares into your soul.

Ramero: 30:55

I'm not mad at this, though I'm not mad at yours either. I actually really like it.

Chris: 30:58

I think we did great. You're way better than I am. Ah well, I way better than I am.

Ramero: 31:03

Listen, it was I. Like your beard.

Chris: 31:07

It's too chuel, come on really good, yeah, yeah, yours is like nothing, no, but you know.

Ramero: 31:11

I just recently cut my beard down a little bit, so I got the stubble thing going.

Chris: 31:15

What it looks like is those like boy bands in the 2000s when they tried to have like really stylized beards. That's kind of what it looks like. I'm not mad at this though For a quick artistic take. Okay, oh, it worked. Did we already fail at our podcast then? Well, we didn't fail, because we failed at nevermind. It's too meta, too meta, you wouldn't get it. No, you wouldn't get it.

Ramero: 31:43

Well, the clip from the Joker, you wouldn't get it? No, these are okay guys. I think we did okay.

Chris: 31:49

Well, I mean, that was the first episode of a new adventure. That's the botch job society so far. Yeah, this is our first inductees into the Hall of Disfame.

Ramero: 32:04

The BHS Hall of Destain. Yeah, destain, yeah, we need these in a. For a small fee, you can purchase these paintings, and I don't know why you'd wanna do that. But if you wanna pay me, I'll let you. We got a lot of stuff though. Plan maybe more painting, a lot of stuff, some chef-like episodes. Maybe it's gonna be fun. So stay tuned for more, for sure, real quick.

Chris: 32:32

Just social medias, botch shop society across everything. We also have a website, botchshopsocietycom. If you go to the contact tab you can leave us a voicemail. We'll play your voicemail on the show, so if you wanna be on the show in some form then, that's the way to do it.

Ramero: 32:48

Uncle Harry, I'm counting on you. Leave me a voicemail. You've asked for this for years and we're back, so I fully expect you to leave us a voicemail.

Chris: 32:56

I'm ready to hear it.

Ramero: 32:57

Yeah, I'm looking forward to it. Thank you, guys. We'll see you next time.

Chris: 33:04

Oh.